RLT016: The Cutting Room Floor

It is 1974 in California’s San Fernando Valley, and veteran film director Roger Adamson has begun production on his low-budget action exploitation film “Candy Dynamite”. Adamson’s old world values are out of place amidst the sleaze of swinging seventies Hollywood. What’s a man to do when his code and that which he holds most dear both end up on the cutting room floor?

*CREDITS*

Written and Produced by Jim Bultas

Music Composed and Performed by Jim Bultas

ROGER ADAMSON: Rick Stringer

NARRATOR: Eric Schulte

CANDY: Michelle Campbell

STEVEN: Justin Warner

DOCTOR DIETER: Eric Schulte

BRICK: Eric Schulte

CINEMATOGRAPHER: Michael Oettle

SOUNDMAN: Chris Stewart

WARDROBE: Barb Schulte

BOUNCER: Jim Bultas

WOUNDED WOMEN: Sarah Rosendahl, Misty Myrick

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REDLINE THEATRE

The 10,000 Horsepower Podcast With a Need for Speed

2011 Parsec Finalist

Website: http://www.redlinetheatre.com

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This entry was posted by Redline Theatre on August 17, 2011 at 11:19 pm, and is filed under Podcasts. Follow any responses to this post through RSS 2.0.Both comments and pings are currently closed.

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#1 written by Tony Frazier 1 year ago

Enoyable story, but to pick one nit: in 1974, Spielberg was already a successful TV director and releasing his first theatrical feature, The Sugarland Express. Unless its another guy just coincidentally named Steven Spielberg.
#2 written by Justin 1 year ago

Good catch! Of course, you are absolutely correct. This is something that was discussed during the episode’s production process. We decided 1974 was still the best year in which to set our story and left it untouched, despite the resulting chronological conundrum. Then again, maybe our Steven is just another guy with the same name, as you mentioned. Or, maybe this is an alternate reality wherein Speilberg never directed Sugarland Express, having decided early on that he would pursue other film projects. (Hopefully, The Cutting Room Floor’s “Girls of Los Angeles, Part 2″ wouldn’t be one of them!) Thank you so much for listening, Tony!
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